Episode 40: This is NAMM, Donny. There are rules.

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Every summer Nashville plays host to the Summer NAMM Show. It looks like a convention and sounds like a giant Guitar Center. And it’s the best place in the world to check out all the newest gear from the biggest musical instrument brands in the world.

We set up shop to demo our brand new product, Endorsee, for all the brands and artists we could possibly round up, including this guy. (What? You want to try it yourself? Well do it.)

We even asked our friend and partner Joe Glaser of Glaser Instruments to join us for a bit. Thanks Joe!

No show notes on this episode. Have a listen!

As always, we love to hear from you. Send us your thoughts, comments, and hilarious NAMM photos by email or Twitter.

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Episode 39: Taylor Swift Edition

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We’d love to tell you the sound quality of this episode has something to do with #ThrowbackThursday, but the truth is we pressed record on the wrong channel and wound up with a whole episode through the ol’ Mac microphone. But hey, it’s just like the old days, right?

On this week’s episode: Taylor Swift says something positive and the internet gets its panties in a bunch; Amazon says something positive and Hachette gets its panties in a bunch; Brian says something positive and if we talk about panties anymore it will probably be construed as inappropriate.

As always, we love to hear from you. Send us your thoughts, comments, deepest darkest secrets by email or Twitter.

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Show Notes:

Also this, which we absolutely did no fabricate:

Screen Shot 2014-07-10 at 5.40.50 PM 2

Episode 38: ‘Murica Edition

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OH YEAH! We’re happier than the Kool-Aid Man in summer today, because Independence Day is right around the corner. Fireworks, hamburgers, bald eagles. You know, the finer things in life. In celebration of the glorious long weekend (because let’s face it, that’s what we’re really excited about), here’s a very special ‘MURICA edition of Conversely.

In this episode: Google buys Songza, Rdio buys TastemakerX, Spoon goes to the record store, teenagers strike it big on the Isle of Vine, and Music City, in addition to having the second best fireworks display in the nation, is in danger of losing a historic landmark.

As always you can hit us up via email or Twitter.

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SHOW NOTES…. ‘MURICA!:

And we’ll just leave you with this:

15 Years after Napster

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This week marks 15 years since Napster invaded the previously secure executive suites of the record labels and music publishers.

Napster (and what followed) disrupted a lot of things. Distribution, the album model, forced allegiance, radio, artist development and therefore should have ushered in a new era of fan-engaged, educated, best-music-wins types of scenarios. Although there has been some progress, not much has changed.

The only thing that is noticeably different is the elimination of the profit margin that physical product created. When you look at the top selling artists they are the same as they ever were, albeit with different names. If you look at the record company processes, they are the same, but a bit less opulent. In many ways the music business reminds me of the auto business: they can only do things one way. As far as they’re concerned, there are no options, no pivots, no new models.

On the other hand, the music creator community has screamed for a world of DIY, more direct to fan engagement and a bigger cut of the revenue, but have done absolutely nothing to deserve it. As a whole, the artistic community has been sitting on the sidelines waiting for Universal to give them a record deal and lots and lots of money. Yes, they all have a Facebook page and a clunky website, but not much more. They’re artists after all, and artists suck at business. In this world where you can take back control of your art and your life, artists have proven themselves (exceptions noted) to be fairly helpless.

As I think about a music world “post-Napster”, I think we need only look at the historical successes in entertainment. They were collaborative, they were messy and they were magic.

We can’t organize it, streamline it or tidy it up.

Music is a sordid affair that happens drunk in Vegas, not a lunch date from match.com.

Digital music is how we listen, nothing more. The decline in music is directly attributable to what we listen to.

We don’t miss the profit margin from physical goods, we miss rock stars.

Episode 37: Aloha, YouTube

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Today we’re joined by a very special guest, C.Y. Lee from xDJs, makers of the upcoming music discovery app Crush. We’re delighted to have C.Y. with us via Skype, and we promise we only talked about MIT once.

On today’s show: YouTube’s back and forth over their subscription streaming service, BitTorrent finally gets some positive attention (warranted?), and Lively closes their doors. Plus we talk about the Seattle startup scene, the wonders of academic commencement, and we somehow even managed to mention corporate agrobusinesses. Go figure.

As always you can hit us up via email or Twitter.

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Abridged Show Notes:

Episode 36: Optimus Prime

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First things first: we’re a music business podcast, not a history podcast. As you can see.

Second: Amazon launched a streaming music service. And we’re here to talk about it. Seemingly everything in this episode ties back to Amazon, but we also talk Bitcoin, Grammys, Bad Company, and whether or not an iPhone belongs inside a guitar.

As always you can hit us up via email or Twitter.

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Show Notes:

Episode 35: Amazon’s Hatchet(te)

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In this episode we ALMOST manage to not talk about Apple. Almost.

But seriously, folks, how about that improved sound quality? We purchased some new gear and upped the ante. After 35 episodes, it just felt like it was time to get our act together. We’re still fiddling with the knobs and you might hear the level jump around a little, but we promise it’s getting better all the time.

On today’s episode: Amazon v. Hatchette, Rolling Stone Country, Pandora numbers, and Kickstarter’s updated rules. And Brian takes a minute to share an awesome story about Deep Purple.

Please let us know what you think! Did you like Storytime With Brian? Should we add a new segment? Take out an old one? Any special guests you’d like us to welcome? Let us know via email or Twitter.

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Show notes:

On Rented Media (or My So-Called Streaming Life)

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I haven’t given up on ownership, but it’s not for lack of trying. You see, I have little interest in having bits of media strewn about my life, especially in physical form, but also in digital form. Here’s a rough summary:

Music

As I’ve said time and time again, I’m a streaming convert for life (or for however long streaming is still a thing). I moved to Rdio several years ago, and I don’t see myself ever purchasing another CD or digital download, except in those rare instances where I have no other choice.

Moreover, I’ve stopped pirating music. It bears repeating: streaming killed piracy, not the RIAA.

As for vinyl, I’m ashamed to say I’ve only purchased a small handful in the last year. Chalk it up to high prices, or a dearth of disposable income, but I just don’t find myself at the record store very often anymore.

Movies

I have a Roku in the living room, and an iPad in the bedroom. And that’s all I really need. I subscribe to Amazon Prime and Netflix. I use a shared HBO Go account. And I rent (not buy!) movies on occasion from a variety of different streaming services. Sometimes I’ll even trek to the Redbox (really a bargain, so long as they actually have what you’re looking for).

I go to theaters still, about once or twice a month. I see this to being akin to going to concerts. It ain’t cheap, but you go for the experience.

Television

I cut my cable two years ago, and haven’t looked back. I have an HD antenna for local programming, but I spend almost all my time watching streamed content. Between all the free content on Roku and my various subscriptions mentioned earlier, there’s no shortage of content at all. Seriously, there’s a limit to how much television a person can watch, and I’d defy you to hit that limit with access to streaming services.

Books

I’ve recently rediscovered the public library (Nashville’s is surprisingly awesome). I borrow books I need, both physically and digitally. And they have a wealth of other digital content freely available, from magazines to audiobooks to movies and music.

If the library doesn’t have it, I’ll check Amazon Prime’s borrowing library. I also tried Oyster, loved it, but didn’t find myself reading enough to justify the spend.

If all else fails, I’ll purchase a used copy or a Kindle copy, in that order. But I can’t even remember the last time I did.

Comics

Alas, I don’t have the time or energy for a diatribe about Comixology and the recent Amazon acquisition, but fortunately many others have written volumes about it. I, for one, fall squarely into the camp of “I don’t care, I just want Spotify for comic books.”

See comic books are perhaps the one medium where a good subscription service doesn’t exist. There are two that I know of – Marvel Unlimited, which is Marvel-only, and therefore of little use to me; and Thrillbent, which is awesome, but still missing all of the big publishers I read regularly (come on DC! get in the game!).

The main debate in the comics world seems to be about download codes, and I’d like to add my two cents to that argument by saying that 2004 called and they want their MP3s back.

Everything else

If I played games I’d probably use Steam, or rent from a Redbox. But I don’t.

So what?

I rent my home. I lease a car. And I subscribe to media. And I like it.

But here’s the thing: every time I can’t rent, my natural inclination is not to buy it. If a movie isn’t on Netflix, I don’t run to Walmart and buy the Blu-ray, nor do I jump on iTunes and buy a digital copy. If I can rent it on Amazon, I will, but if I can’t do any of the above I find a less savory method of procurement. That’s just the way it is.

Episode 34: A Full Episode of Things We Probably Shouldn’t Be Talking About Anymore

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Pete and Re-Pete were on a boat. Pete fell off. Who’s left?

In this episode of Conversely, we hopefully put to rest the entire Beats/Apple conversation, at least for the time being. We also jettison common sense and discuss the ridiculousness of piracy, another topic we hope to never talk about again. And this time, instead of our usual Here’s An Idea segment, we switch gears and talk about a couple of our deeply held unpopular opinions about the music world – and hopefully that’s the most original conversation in this episode.

Not to say this episode isn’t good, because it’s freaking awesome. There I said it.

Side note: we just got a bunch of new recording gear! So hopefully this is the last episode where you’ll have to hear the terrible sound quality of a Macbook Pro built-in microphone.

Side note #2: Mike apologizes for contradicting himself in this episode. If you don’t catch it, well then Mike is happier for that.

Side note #3: We changed our logo. Just because.

As always, feel free to email us with your comments or thoughts, or hit us up on Twitter.

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Show Notes:

paradigmatically

Episode 33: Death and Taxes

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Today we welcome David M. Ross, Founder of MusicRow Magazine and President of Nekst.biz, to talk about his upcoming book, the ramifications of a music tax, better models for streaming services, and just what exactly happened to publishing in the last 10 years. We also dive into the crazy world of competitive video gaming, a subject that, quite frankly, none of us knows much about :)

As always, feel free to email us with your comments or thoughts, or hit us up on Twitter.

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Linkety links:

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